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	<title>Comments on: Case Study 2: The Power of the Bassline to Establish Style</title>
	<atom:link href="http://www.portamental.com/a-cappella-arranging/advanced-explorations/case-study-2-the-power-of-the-bassline-to-establish-style/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.portamental.com</link>
	<description>Fluidity of Mind and Music</description>
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		<title>By: liz garnett</title>
		<link>http://www.portamental.com/a-cappella-arranging/advanced-explorations/case-study-2-the-power-of-the-bassline-to-establish-style/comment-page-1/#comment-52</link>
		<dc:creator>liz garnett</dc:creator>
		<pubDate>Sun, 04 Jan 2009 11:22:07 +0000</pubDate>
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		<description>Hi Yuri,
You know, this approach of getting the melody-bass duet in place before filling in the backing harmonies is very Baroque. My orchestration lecturer at university used to refer to the woodwind&#039;s role in later (18/19-century) textures as &#039;continuo harmonies&#039; for precisely this reason! And I think it&#039;s key not only to defining style (which you illustrate very nicely here), but the whole structural integrity of the arrangement. If the melody-bass duet stands on its own, the fill has something to hang on - if it doesn&#039;t, nothing else you add is ever going to sound too hot.

liz x</description>
		<content:encoded><![CDATA[<p>Hi Yuri,<br />
You know, this approach of getting the melody-bass duet in place before filling in the backing harmonies is very Baroque. My orchestration lecturer at university used to refer to the woodwind&#8217;s role in later (18/19-century) textures as &#8216;continuo harmonies&#8217; for precisely this reason! And I think it&#8217;s key not only to defining style (which you illustrate very nicely here), but the whole structural integrity of the arrangement. If the melody-bass duet stands on its own, the fill has something to hang on &#8211; if it doesn&#8217;t, nothing else you add is ever going to sound too hot.</p>
<p>liz x</p>
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		<title>By: Marianne Cheng</title>
		<link>http://www.portamental.com/a-cappella-arranging/advanced-explorations/case-study-2-the-power-of-the-bassline-to-establish-style/comment-page-1/#comment-47</link>
		<dc:creator>Marianne Cheng</dc:creator>
		<pubDate>Tue, 23 Dec 2008 08:07:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.smartermusic.us/?page_id=1122#comment-47</guid>
		<description>I love this Yuri. Well said!</description>
		<content:encoded><![CDATA[<p>I love this Yuri. Well said!</p>
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		<title>By: Using Basslines in A Cappella &#124; SmarterMusic</title>
		<link>http://www.portamental.com/a-cappella-arranging/advanced-explorations/case-study-2-the-power-of-the-bassline-to-establish-style/comment-page-1/#comment-45</link>
		<dc:creator>Using Basslines in A Cappella &#124; SmarterMusic</dc:creator>
		<pubDate>Mon, 22 Dec 2008 17:06:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.smartermusic.us/?page_id=1122#comment-45</guid>
		<description>[...] Read More&#8230;   Posted Under A Cappella, A Cappella Arranging, Arranging [...]</description>
		<content:encoded><![CDATA[<p>[...] Read More&#8230;   Posted Under A Cappella, A Cappella Arranging, Arranging [...]</p>
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