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	<title>Comments on: Voice Parts and Ranges</title>
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	<link>http://www.portamental.com</link>
	<description>Fluidity of Mind and Music</description>
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		<title>By: Scott Dollyhite</title>
		<link>http://www.portamental.com/a-cappella-arranging/first-principles/voice-parts-and-ranges/comment-page-1/#comment-6063</link>
		<dc:creator>Scott Dollyhite</dc:creator>
		<pubDate>Thu, 17 Dec 2009 13:02:56 +0000</pubDate>
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		<description>Just wanted to say that I feel very lucky to have stumbled upon your website!  This has been the most informative place for a beginner like me.  LOVE the humor!  Right upo my alley!  Thanks again!

Scott</description>
		<content:encoded><![CDATA[<p>Just wanted to say that I feel very lucky to have stumbled upon your website!  This has been the most informative place for a beginner like me.  LOVE the humor!  Right upo my alley!  Thanks again!</p>
<p>Scott</p>
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		<title>By: Dan Newman</title>
		<link>http://www.portamental.com/a-cappella-arranging/first-principles/voice-parts-and-ranges/comment-page-1/#comment-2585</link>
		<dc:creator>Dan Newman</dc:creator>
		<pubDate>Tue, 02 Jun 2009 04:36:33 +0000</pubDate>
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		<description>You&#039;re very lucky to get one bass- cloning explains away the other one. The tenor must&#039;ve been a prototype or something. 

At the collegiate level, you probably have a couple of groups to duel with for the best singers, as well as singers who aren&#039;t interested in a cappella. For less-lucky groups, true basses and tenors are a rarity, and with multiple groups and other singing pursuits...sometimes, they just don&#039;t exist.

Also, here&#039;s an article on vocal percussion: http://www.smartermusic.us/a-cappella-arranging/advanced-explorations/arrangers-toolbox-4-vocal-percussion/</description>
		<content:encoded><![CDATA[<p>You&#8217;re very lucky to get one bass- cloning explains away the other one. The tenor must&#8217;ve been a prototype or something. </p>
<p>At the collegiate level, you probably have a couple of groups to duel with for the best singers, as well as singers who aren&#8217;t interested in a cappella. For less-lucky groups, true basses and tenors are a rarity, and with multiple groups and other singing pursuits&#8230;sometimes, they just don&#8217;t exist.</p>
<p>Also, here&#8217;s an article on vocal percussion: <a href="http://www.smartermusic.us/a-cappella-arranging/advanced-explorations/arrangers-toolbox-4-vocal-percussion/" rel="nofollow">http://www.smartermusic.us/a-cappella-arranging/advanced-explorations/arrangers-toolbox-4-vocal-percussion/</a></p>
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		<title>By: Miles</title>
		<link>http://www.portamental.com/a-cappella-arranging/first-principles/voice-parts-and-ranges/comment-page-1/#comment-1070</link>
		<dc:creator>Miles</dc:creator>
		<pubDate>Sat, 04 Apr 2009 06:21:19 +0000</pubDate>
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		<description>This is funny, I like the website, but I don&#039;t get the jokes(?) about not having basses or true tenors in a men&#039;s group. We have 2 true basses who can sing a C1, and a true tenor. I know not all a cappella groups do it, but beat boxing should be mentioned in some capacity.</description>
		<content:encoded><![CDATA[<p>This is funny, I like the website, but I don&#8217;t get the jokes(?) about not having basses or true tenors in a men&#8217;s group. We have 2 true basses who can sing a C1, and a true tenor. I know not all a cappella groups do it, but beat boxing should be mentioned in some capacity.</p>
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