Mavericks

A little while back, Public Radio did an excellent series of programs on American Music, called “American Mavericks.” Fortunately for us, you can read and listen to the great stuff online, even if you missed the radio broadcast (as many of you probably did). Ironically enough, many of these programs were used in my American [...]

Rhapsody in Blue

If you can see this, then you might need a Flash Player upgrade or you need to install Flash Player if it’s missing. Get Flash Player from Adobe. If this video is as advertised, it’s fascinating to listen to.  It’s got schmaltz dripping from it in ways that many would find truly cringe-worthy, especially given [...]

The other end of the girly spectrum

To counterpoint the post below about über alto parts, here’s something that shows some excellent soprano work. This is a segment of a Cranberry cover of Wonderwall done by UGA Noteworthy. [Audio clip: view full post to listen] This is a definitely a CD recording: you’ll be hard pressed to find a hall with such [...]

Non-traditional notation teaser

Something to spur imagination while I’m working on a new part of the arranging guide: Non-traditional notation. While sheet music is super-handy, and provides a common language to communicate music, sometimes people just don’t speak Wookie, and you have to think outside the box. ~How would you write out parts for someone who doesn’t read [...]

Oh! You Beautiful Doll

Oh, you’re such a beautiful doll!  This 1911 hit was a wartime favorite that shows how Barbershop harmony, ragtime, and popular music overlapped. [Audio clip: view full post to listen] This is sung by Bill Murray and The American Quartet in 1912.  Fantastic stuff here, very vintage.  It’s hard to imagine this being the height [...]

The Art of Song Selection 2: Mechanics and Logistics

While it’s well and good to know what your group is about, who your target audience is, where you want to take the group, and if your 2nd soprano is single, that doesn’t actually pick your songs. This article is geared towards the practicality of picking songs, and several methods with their pros and cons. [...]

Arranger’s Toolbox: Vocal Percussion

“Guh, chicka chicka tss” “Doof, tepuh kss” “Pfft dubba dubba, kcha” It’s a fallacy that drums noises are reserved to just drums, just as vocal percussion is limited to the vocal percussionist. If you can speak, you can do VP, and if you’re writing arrangements for people who can speak…well, everyone can be a drum [...]

Techno remixes- the next frontier of satire

For those who aren’t up and savvy with their Christian Bale celebrity gossip, our recent Batman was caught on tape verbally beheading some poor dude on the set of Terminator 4. Just a heads up…it’s pretty much just strong language. Here’s the original rant, which was followed by a techno remix, R&B/Club remix, and my [...]

Practice suggestions for VP

I’ll be putting up my article about vocal percussion soon, but I thought I’d give you all an opportunity to study-up before class. Try to imitate drums in heavy metal songs. Let out your secret love for Linkin’ Park and Metallica, and just give your mouth a go. Put on some Emperor and see what [...]

A brief Quick’n'Dirty 10-step Arranging guide

So maybe you don’t want to peruse the multitude of articles right now, and you just want fast and easy directions of how to do an a cappella arrangement. Will do, but here’s the caveat- this is just one way of going about an arrangement. I would recommend reading the other articles on this website [...]